Quibi Valuation, Funding & Investors

Spotter is a creator services platform supporting YouTube influencers with funding, AI software, and community resources. It has deployed $940 million to creators, powering a catalog of 725,000 videos that generate 88 billion monthly watch-time minutes. Brands access transparent, brand-safe ad inventory through its media solutions.

Create Music Group is a Los Angeles-headquartered music technology company providing digital distribution, publishing, sync licensing, rights management, A&R, marketing, and recording services to independent artists. Notable clients include Marshmello, 6ix9ine, and Tory Lanez. The company also runs Flighthouse, a TikTok brand with 28 million followers engaging youth audiences.

Minute Media is a sports and culture content platform owning brands like The Players' Tribune, FanSided, 90min, and STN Video. Tel Aviv-headquartered with offices in New York, London, São Paulo, and Tokyo, it powers creation and distribution for 1,500 creators across 14 markets in 10 languages.

Saregama India Ltd is a holding company, which engages in the production and distribution of music, television programs, and movies. It operates through the following segments: Music, Films/TV Serials, and Publication. The Music segment deals with the business of manufacturing and sale of Music storage devices viz. Carvaan, Music Card, etc, and dealing with related music rights. The Films/TV Serials and Event segment engaged in the production and sale/telecast/broadcast of films/TV Serials, pre-recorded programs, organizing live musical events, and dealing in film rights. The Publication segment publishes the weekly current affairs magazine ‘OPEN’ through its publication business. The firm derives a majority of its revenue from the Music segment.

Pocket FM is an India-based audio entertainment platform, founded in 2018, offering short- and long-form audio series and podcasts in regional languages including Bengali, Tamil, and Hindi. The platform hosts more than 100,000 hours of content and 400,000 episodes across genres such as romance, self-help, and motivation, monetizing through microtransactions and subscriptions on a freemium, pay-as-you-go model. Pocket FM has expanded from India into the United States and other international markets, reaching over 200 million users and processing tens of millions of paid transactions.

Rilla is a decentralized network redesigning content monetization by granting creators equity in protocol revenue. The platform leverages community-driven curation and token incentives to distribute value from audience engagement directly to participants. Built on blockchain, Rilla facilitates ownership stakes for users contributing bandwidth and content discovery, targeting social media influencers and digital artists. Its Web3 infrastructure supports scalable fan economies across global creator communities.

Kakao Entertainment is a Seoul-headquartered entertainment powerhouse resulting from the 2021 merger of Kakao Page and Kakao M. It manages over 50 subsidiaries covering webtoons, digital novels, music production, film distribution, TV dramas, and live performances. Kakao Page specializes in original IP creation and global platforms reaching Japan, Thailand, and Indonesia, while the Kakao M division nurtures K-pop artists, produces concerts, and invests in series like Vincenzo and films such as Hunt. The company distributes content via partnerships with platforms like Netflix and Tving, establishing dominance in Korea's digital entertainment ecosystem.

Epic Games is a Cary, North Carolina-headquartered video game developer and software provider. The company creates the Unreal Engine, licensed for high-fidelity games and 3D applications on PC, consoles, mobile, and VR platforms. Epic develops titles such as Fortnite, released in 2017, and Rocket League via Psyonix acquisition, while operating the Epic Games Store since 2018 to support indie developers with an 88/12 revenue split.

PT MNC Digital Entertainment Tbk is a content provider in Indonesia, has its core business in producing, developing, and distributing content and intellectual properties across all existing media platforms. The company's main business is supported by its various business units engaged in media and entertainment activities, such as drama production houses, infotainment, reality shows, game shows, animation, films, original content, music labels, advertising agencies, content & IP licensing, talent management, social media, including multi-channel networks (MCN), OTT superapps, and online portals. The company's operating segments include Digital, Content and IP, Talent, and Subscription. The company generates maximum revenue from the Content and IP, Talent segment.

Cover Corp operates as a platformer for two-dimensional entertainment. It is engaged in developing multifaceted businesses to accelerate 2D entertainment such as distribution system development, VTuber office management, and content development.

Bilibili is a Chinese online entertainment platform best known for its YouTube-like video-sharing site. Founded in 2009, it first focused on long-form content centered around anime, comics, and gaming, catering primarily to Gen Z users. Over time, the platform has broadened its content offerings to include a wider range of interests, successfully attracting a more diverse audience beyond the Gen Z demographic.

Glance is a Bangalore-headquartered lock screen content platform delivering personalized news, videos, and shopping via AI on smartphones from Samsung and Xiaomi. Pre-installed on devices in India and Southeast Asia, it aggregates content in Hindi, Tamil, and other languages. Part of InMobi Group, Glance operates Roposo short-video service for entertainment and live commerce.

Epidemic Sound is a Stockholm-based music licensing company offering a catalog of over 40,000 tracks across 180 genres for video creators. Subscribers access unlimited downloads cleared for YouTube, TikTok, and broadcast use worldwide. Founded in 2009, it employs in-house composers and serves millions of users monthly.

RIDI is a South Korean digital content platform often described as the country's Kindle, built around e-book retailer Ridibooks alongside Manta Comics, a subscription webtoon service, and Laftel, an animation streaming service. Founded in 2008, the Seoul-based company spans web novels, webtoons, video, and original soundtracks, competing with Naver and Kakao in Korea's webtoon and web novel markets. It has also pursued licensing deals to supply intellectual property to streaming platforms such as Netflix and Disney Plus.

China Literature Ltd is an investment holding company. The company along with its subsidiaries provides online reading services, copyright commercialization, writer cultivation and brokerage, and operation of text work reading. It generates its revenue from Online reading through self-owned platform products. it operates in two segments: Online business and Intellectual property operations and others. The Online business segment that derives the majority of revenue comprises online paid reading, online advertising, and game publishing. The Intellectual property operations and other segment include licensing and distribution of film and television properties, copyrights licensing, sales of adaptation rights and scripts, sales of physical books, and in-house online games operations.

Kuaikan Manhua is a Shanghai-based online comics platform founded in 2014 targeting young readers with original digital artwork. It hosts thousands of titles in romance, action, and slice-of-life genres via app and website at www.kuaikanmanhua.com. Backed by Tencent, it dominates China's comic market and fosters creator communities.

NewsBreak is a Mountain View-headquartered app delivering hyper-local news from 10,000 U.S. sources to 40 million users. Founded in 2015 by former Baidu engineers, it achieved unicorn valuation in 2021 with $115 million Series C funding. The platform monetizes through publisher tools and local ad campaigns, expanding to 500 cities.

Substack is a San Francisco-headquartered platform empowering writers to publish subscription newsletters, podcasts, and videos. It handles payments, email delivery, and analytics, allowing creators to retain 90 percent of revenue while building direct audience relationships. Popular among journalists from The Free Press and economists like Noah Smith, Substack supports over 3 million paid subscriptions across politics, tech, and culture topics.